A Consuming Fire
(Sprache: Englisch)
Uprooted meets The Grace Year in this dark fantasy of love and vengeance following a girl who commits to killing a god after her sister is unjustly killed by his hand.
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Uprooted meets The Grace Year in this dark fantasy of love and vengeance following a girl who commits to killing a god after her sister is unjustly killed by his hand.
Klappentext zu „A Consuming Fire “
"Achingly lovely and luminous...left me completely enthralled." -Erin A. Craig, New York Times bestselling author of House of Salt and SorrowsUprooted meets The Grace Year in this dark young adult fantasy of love and vengeance following a girl who vows to kill a god after her sister is unjustly slain by his hand "that will appeal to readers of Leigh Bardugo and Holly Black" (School Library Journal).
Weatherell girls aren't supposed to die.
Once every eighteen years, the isolated forest village of Weatherell is asked to send one girl to the god of the mountain to give a sacrifice before returning home. Twins Anya and Ilva Astraea are raised with this destiny in mind, and when their time comes, spirited Ilva volunteers to go. Her devoted sister Anya is left at home to pray for Ilva's safe return. But Anya's prayers are denied.
With her sister dead, Anya volunteers to make a journey of her own to visit the god of the mountain. But unlike her sister, sacrifice is the furthest thing from Anya's mind. Anya has no intention of giving anything more to the god, or of letting any other girl do so ever again. Anya Astraea has not set out to placate a god. She's set out to kill one.
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Chapter One: Weatherell ONE Weatherell Once upon a time, when Anya Astraea and her sister, Ilva, were small, they made a habit of walking out to Weatherell's final clearing together. The clearing marked the edge of the village's woodland-beyond it there was only the uninhabited New Forest, with its birdsong and bluebells and wandering piebald ponies, and past that, the forbidden expanse of Albion, which had been the Roman province of Britain before the last of the centurions left, some five centuries ago. While few raised in the village of Weatherell ever saw what lay outside the wood, none born and bred in Albion ever left the great island's shores.
In Weatherell's final clearing, at the edge of everything Anya knew, there stood a beech tree with golden leaves. Old charms crowded its branches, hanging so heavy they might have been a strange and jangling crop of fruit. They'd been made by the people of Weatherell, from glass and chestnut hulls and old coins dug up from the forest earth, which bore the faces of long-forgotten lordlings and Caesars. But the most vital of Weatherell's charms-the ones wrought for protection, not for beauty-were strung with bits of sun-bleached bone. Anya and Ilva would lie on their backs and look up at the spinning charms and try to guess which of the Weatherell girls each bone had come from.
Was it Gabrielle, who'd given her face to the god of the mountain, returning home indelibly marked by a mask of deep scars?
Was it Leya, who'd given her right leg at the knee, and joked until her death that at least she had another?
Was it Florien, who'd given her memory, and known not a soul when she'd come back to the village?
Was it Moriah, who'd given her thumbs and been considered lucky, because the god might certainly have required more?
On and on they'd guess, naming girls who'd gone out from Weatherell to serve as living sacrifices to the god of the mountain. It was Ilva's game, really. She found that naming the
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girls was a painless way of remembering Weatherell's history-a recollection with its teeth taken out. But it hurt for Anya even to remember people who'd lived and died before they were born. Perhaps those girls were shadows and stories and the bones in charms now, but to Anya, they still lived. She felt the weight of their sacrifice hanging over her every day.
And though most of the Weatherell girls who'd gone out into the world were dead, the god himself was still very much alive on his faraway mountain. His divine sleep could only be renewed with the sweet taste of abnegation-of a living sacrifice offered by a righteous lamb. Nothing but the willing pain of a Weatherell girl could soothe and sate the god and keep all the vast isle of Albion free from his ruthless predations.
"Someday, I'm going to go," Ilva would whisper to Anya, spinning a story of her own as they lay side by side in the soft fallen leaves. She'd clutch her greatest treasure as she did-a strange trinket, washed ashore from Gaul to the east or Hibernia to the west, no doubt, and carried inland by some creature. Made for stringing upon a cord or chain, it was a little cross-shaped pendant wrought of crude metal, a girl with a babe in arms on one side, a suffering man on the other. Wounds were visible upon the sufferer's hands and feet, and a twisting band of thorns stretched across his brow. Ilva loved the small relic because it was part of an unreachable world. Anya loved it on account of the sufferer-because for once, it was not the girl or the child who bore the wounds.
"When the eighteen years of grace Mam purchased with her sacrifice have passed, and it's time for the next of us to travel to the god again, I'll go," Ilva would announce to Anya and t
And though most of the Weatherell girls who'd gone out into the world were dead, the god himself was still very much alive on his faraway mountain. His divine sleep could only be renewed with the sweet taste of abnegation-of a living sacrifice offered by a righteous lamb. Nothing but the willing pain of a Weatherell girl could soothe and sate the god and keep all the vast isle of Albion free from his ruthless predations.
"Someday, I'm going to go," Ilva would whisper to Anya, spinning a story of her own as they lay side by side in the soft fallen leaves. She'd clutch her greatest treasure as she did-a strange trinket, washed ashore from Gaul to the east or Hibernia to the west, no doubt, and carried inland by some creature. Made for stringing upon a cord or chain, it was a little cross-shaped pendant wrought of crude metal, a girl with a babe in arms on one side, a suffering man on the other. Wounds were visible upon the sufferer's hands and feet, and a twisting band of thorns stretched across his brow. Ilva loved the small relic because it was part of an unreachable world. Anya loved it on account of the sufferer-because for once, it was not the girl or the child who bore the wounds.
"When the eighteen years of grace Mam purchased with her sacrifice have passed, and it's time for the next of us to travel to the god again, I'll go," Ilva would announce to Anya and t
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Autoren-Porträt von Laura E. Weymouth
Laura E. Weymouth is the author of several novels, including the critically acclaimed The Light Between Worlds, A Treason of Thorns, A Rush of Wings, and A Consuming Fire. Born and raised in the Niagara region of Ontario, Laura now lives at the edge of the woods in western New York with her husband, two wild-hearted daughters, and an ever-expanding menagerie of animal friends. Learn more at LauraEWeymouth.com.
Produktdetails
- Autor: Laura E. Weymouth
- Altersempfehlung: Ab 14 Jahre
- 2023, Reprint, 368 Seiten, Maße: 13,9 x 20,9 cm, Kartoniert (TB), Englisch
- Verlag: Simon & Schuster US
- ISBN-10: 166590271X
- ISBN-13: 9781665902717
- Erscheinungsdatum: 06.10.2023
Sprache:
Englisch
Pressezitat
"Achingly lovely and luminous, Weymouth weaves a tale of vengeance and mercy that left me completely enthralled. I'll be thinking about the Weatherell girls for a very long time to come." Erin A. Craig, New York Times bestselling author of House of Salt and Sorrows
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